As I prepare for this year’s ERA Annual Awards Show under the call to arms “Retailers Rock,” I’ve been on an iTunes download binge worthy of Barry, Jack Black’s dogmatic record clerk character in the movie “High Fidelity.” A few classic gems from the Stones and The Who, a nice sprinkling of three-chord bliss from the likes of X and the Ramones, even a download of The Tubes’ first gem, which provided the soundtrack for my first job as a pump jockey at 16. Maybe this latter disc was prescient for what I would go on to do for a living for it contained the Zappa-esque, “What Do You Want From Life?” Sample lyrics:
“What do you want from life?
To get cable TV and watch it every night…
Well, you can’t have that, but if you’re an American citizen you are entitled to:
A heated kidney shaped pool,
A microwave oven—don’t watch the food cook,
A Dyna-Gym—I’ll personally demonstrate it in the privacy of your own home,
A king-size titanic unsinkable Molly Brown waterbed with polybendum,
A foolproof plan and an airtight alibi,
Real simulated Indian jewelry,
A Gucci shoetree,
A year’s supply of antibiotics…”
You get the idea. Yes, this was the ’70s and drugs were prevalent in the workplace. But it also points out how personal each person’s quest for nostalgia is and why, despite the best efforts to tap into a collective consciousness for the good ‘old days, advertisers so frequently fail in their attempts to reference music in television advertising.
Personally, I don’t care if I ever hear another cut from Fleetwood Mac’s “Rumors” in this lifetime. That “Now dare you go again, you say you want your freedom” thing has been warbling on the radio ad naseum since both Steve Nicks and I actually had abdominal muscles. Nor is Led Zeppelin going to make me ever buy a Cadillac. And please spare me the Ameriprise and Cialis ads with well-heeled, frisky Centrum Silver Surfer-types frolicking on the beach (Psst: they’re havin’ sex tonight!) I’m an American. I want something new. And shiny.
Nobody serves this up better than Apple that consistently introduces new candied-like objects of desire accompanied by fresh cuts that springboard out of their commercials to become the soundtrack of our lives—today. Whether it’s introducing U2’s “Vertigo” or breaking Yael Naim’s “New Soul, “ they’ve got it down. Heck, my mother—who is in her 70s—bought the new Coldplay as a result of their most recent ad.
I imagine the younger generation—the one I’m a guest speaker to annually who have informed me that the Geico caveman spots are the apex of good advertising—would site U2 and Coldplay as contemptible examples of sellout bands. Meanwhile, my son listens to Tom Petty, while I favor Snow Patrol. Bottom line: With easy access to an infinite catalogue, tidy generational generalities don’t work anymore. I lived through the Gerald Ford Presidency, disco and “Family Feud” once and it was enough, thank you. So, even though the juice in my gin may be of the joint variety, I need it to move to Amy Winehouse, not April Wine. Hit me.
Rick Petry is ERA’s interim-CEO
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